DISCLAIMER: This is just my opinion as an intermediate pianist, please don’t take any of this too seriously and please feel free to prove me wrong
- Intervals! (FYI this will probably not make sense without prior music theory knowledge)
- if you take a major 6th interval chord whatever and make the top note double flat, then it’s a DIMINISHED 6TH?? but there’s a difference between diminished 6th and P5? like what no this is all wrong what is going on!
- if you take any interval and make the top a sharp and the bottom a flat it ceases to exist. Hooray.
- let’s talk about augmented intervals. Dear lord. I can’t. If you take a Perfect 5th, and then put a sharp on top, it becomes an augmented 5th. Okay, all good so far. If you put a double sharp on the top note, guess what? it ceases to exist. Again. Double hooray.
- my ears are telling me that a diminished 6th and a P5 are the same thing, but no no no no we don’t use our ears in MUSIC THEORY they’re very different
- AGH INTERVALS I HATE THEM THEY MAKE NO SENSE
- Contemporary music! (No prior knowledge needed)
- first things first, we must address the divide between “contemporary music” (think modern music, like Taylor swift, Beatles, etc, basically anything from 1945 onwards) and what I like to call “classical contemporary”.
- Classical contemporary is the one I dislike
- most pieces I’ve played were dreadfully unmusical and atonal, and classical contemporary does not feature lyrics
- Most pieces that I’ve played are bad and not good and unorganized
- I’m pretty sure most of the composers are the definition of taking themselves too seriously
- if the renaissance was baroque, and impressionism is romantic, and neoclassical or whatever is classical, THEN CONTEMPORARY IS ABSTRACT ART
- dear god they made abstract art into a music form. Very controversial and worth too much money/praise for the amount of effort put in exhibit A: 4’33” by John cage. 4 and a half minutes of silence and he gets paid to perform this. UNFAIR. IT DOESN’T EVEN SOUND LIKE ANYTHING exhibit B: One for Violin Solo— play a giver solo then smash the violin you played it on the ground. 1. Why. 2. Waste of violin. 3. That would hurt my soul
- I’m pretty sure I could make a “contemporary piece” by merely banging my head against the wall——oh wait, yoko ono ALREADY PERFORMED THAT IN WALL PIECE FOR ORCHESTRA
anyways my rant is over