Also, I have to say I bloody love Zane Lowe, though feel slightly sad that he has had to indulge in some absolute garbage music over at Apple Music, very far from what I perceived to be his roots at Radio 1.

dimdog

its tuff as an artist to make a living so I can understand having to make concessions to certain projects to make things work, in a lot of ways its why I hold Kubrick in such high regard because he was able to build within these concessions and/or constrains or when possible show an alternative path and prove it possible, 

I was always wary of his stuff when I was younger, it was just too weird, or maybe weirdly embedded in the establishment (a bit like U2 having one of their records released with a version of Windows), but reading about Eno's work from that time brings it all back into the realm of normalcy.

culture

Inside Brian Eno’s Studio

its, great he is such a brilliant mind, biggest take away I got was just sustaining creativity is all that should truly matter to an artist over the course of this life