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I was always wary of his stuff when I was younger, it was just too weird, or maybe weirdly embedded in the establishment (a bit like U2 having one of their records released with a version of Windows), but reading about Eno's work from that time brings it all back into the realm of normalcy.
its tuff as an artist to make a living so I can understand having to make concessions to certain projects to make things work, in a lot of ways its why I hold Kubrick in such high regard because he was able to build within these concessions and/or constrains or when possible show an alternative path and prove it possible,
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