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In 1995, musician and producer Brian Eno made a profound observation about computer sequencers that has become increasingly relevant in our AI-powered world:
“The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement. With Cubase or Photoshop, anybody can actually do anything, and you can make stuff that sounds very much like stuff you’d hear on the radio, or looks very much like anything you see in magazines. So the question becomes not whether you can do it or not, because any drudge can do it if they’re prepared to sit in front of the computer for a few days, the question then is, ‘Of all the things you can now do, which do you choose to do?’”
100 sats \ 0 replies \ @OT 20h
I think that music software like virtual instruments and ease of use by everyday people changed the music industry.
Although there's often not much depth in knowledge of harmony, melody and rhythm with popular music, they go by "what sounds good".
I've been meaning to write more about what I think the similarities are with what's happening with vibe coding today.
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