Excerpted below are a few passages from the Stphen King memoir, On Writing. I have never read the book, but I have always thought of King as one of our generation's greatest professional writers. Just look at the impressive repertoire of King adaptations.
It could be worthwhile to wade a little deeper into his personal discussions on the craft.
King is largely responsible for my love of literature, namely, an old paperback copy of The Green Mile that I picked up one summer during my youth, consumed voraciously and then proceeded to be disappointed by the film.
On sharing your work
Write with the door closed, rewrite with the door open. Your stuff starts out being just for you, in other words, but then it goes out. Once you know what the story is and get it right — as right as you can, anyway — it belongs to anyone who wants to read it. Or criticize it.
Killing your darlings
Mostly when I think of pacing, I go back to Elmore Leonard, who explained it so perfectly by saying he just left out the boring parts. This suggest cutting to speed the pace, and that’s what most of us end up having to do (kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler’s heart, kill your darlings)...I got a scribbled comment that changed the way I rewrote my fiction once and forever. Jotted below the machine-generated signature of the editor was this mot: “Not bad, but PUFFY. You need to revise for length. Formula: 2nd Draft = 1st Draft – 10%. Good luck.”
Talent
Practice isn't painful when you love what you do. Talent renders the whole idea of rehearsal meaningless; when you find something at which you are talented, you do it (whatever it is) until your fingers bleed or your eyes are ready to fall out of your head. Even when no one is listening (or reading, or watching), every outing is a bravura performance, because you as the creator are happy. Perhaps even ecstatic. 1
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What are your favourite King stories?
Footnotes
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Excerpts taken from, On Writing, by Stephen King. ↩