A helicopter lower over black water from a bruised sky.
Below, the island sat in the middle of nothing. Rock, palm, and the last red seam of the sun over the Atlantic. No neighbors. No markings. No flag.
Cassius pressed his hairpiece down with one flat hand. Gold. The color of a coin handled too many times. His face was eighty years old and looked it. Soft, folded, the face of a man who had eaten well his whole life. His suit was expensive and did nothing for him.
He told himself he was not afraid.
Below, a long shadow moved just beneath the surface. Unhurried. Tracking nothing. It curved once, slowly, and was gone.
The man on the helipad was enormous. AK slung like a handbag. Behind him, women moved across the tarmac naked and hollow-eyed. They moved like figures from a dream you couldn't place. Not suffering. Not content. Something beyond both.
Cassius climbed down from the helicopter. His feet hit the tarmac and something shifted under him that wasn't the ground.
This way.
He followed. Heavy. Slow. His suit soaked through. A seal hauled up on a rock that wasn't his.
The path cut through hedgerows trimmed to impossible angles. Flowers with no business being here. A fountain. Water so still it looked painted. All of it maintained with the obsessive precision of a man who needed the world to know it could be done.
The castle swallowed the last of the light.
The golden doors opened. Cold air rushed out like something exhaled.
He was standing in the corridor. Khaki shorts. Flip flops. No shirt.
Eighty years old and looked forty. Lean, brown, gray hair slicked back off a face with no excess in it. No fat, no softness, no concession to time. He looked like something that had decided not to age and didn't.
The smile arrived before everything else.
Welcome, old friend.
Cassius felt the cold air on his wet face and felt something inside him settle against his will.
The dining hall was long and cold. Marble table. Stone walls. The western window held the last light over water. The women moved through the room like figures that had wandered in from somewhere without a name setting things down, withdrawing, returning. Beautiful and extinguished.
Kyrios watched nothing. Cassius watched the women and felt something he didn't examine.
Eat, said Kyrios.
The food was extraordinary. Cassius ate more than he meant to. He always did. Somewhere in the eating his shoulders dropped and he recognized the relaxation for what it was and relaxed anyway.
The doors, said Cassius. New?
Last week. Saudi. Eighth century.
I was going to ask—
For the tower. Qatar. The smile. Nothing else required.
Cassius laughed. Short. Uncomfortable. The laugh of a man shown the size of something.
The sun finished. The sky went black the way it does over open water. Amber lamps came on without anyone touching anything.
A folder appeared at Cassius's elbow. He didn't see who placed it.
Your country, said Kyrios. How do you actually see it.
Cassius looked at the candle. Burning perfectly straight in the air.
I think it's over.
Yes.
I think it was over before I got there.
1971, said Kyrios. The interval between the diagnosis and the death. Some men have been managing that interval very carefully. He cut his food. Preparing.
Your clients.
Among others.
And now—
We're close.
Cassius opened the folder. Twelve names. He knew most of them. Knew what they sat on top of. He closed it and put his hands flat on the marble.
Eleven are already decided, said Kyrios. I've watched men go to their graves over one.
Kyrios talked the way men talk about construction. Flat. No drama.
A successor. Loud, hollow, the kind of man that makes everyone watch the wrong hand. A window. Two years, three at most. During the window the value would move. All of it. Legally. He returned to that word like a fixed point. Legally. Because they had spent decades building the mechanism. Making the legal and the criminal the same corridor.
The war was a tool. Last resort.
We try not to waste it. It makes a mess. People remember it badly.
He said all of this over dessert.
The women cleared plates. Their faces unchanged. Their eyes passing over everything like light through glass.
The cold blew.
And me, said Cassius.
The smile held. Two hours and it had not shifted once. It was not an expression anymore. It was architecture.
You'll stand in the light. Give the speeches. Look like the man making the decisions. He paused. When it's done, four citizenships, none with extradition arrangements. Assets with no connection to your name. Protection no office can provide. You'll be free.
Cassius looked at the table.
And the people.
He didn't know why he said it.
The room went very quiet.
Kyrios looked at him. Patient. Still. The smile unchanged. But behind the eyes something moved. Deep and fast, the way something massive moves beneath black water. Not visible. Only the displacement. The shadow of the thing passing under.
Then just the smile again.
The people will believe what they need to believe. Every empire that ever fell believed it was the exception. That belief is not incidental. He leaned back. It is load-bearing. The faith is not a weakness in the system. He lifted his glass. It is the system.
Outside, the ocean moved against the rock. The way it had before any of this. The way it would long after.
More wine?
Yes, said Cassius.
Kyrios poured.
The gold wig sat crooked under the amber light. The women drifted through the room like things that had forgotten the shore. The candle burned perfectly straight. And in the black water beyond the window, something large and patient turned slowly beneath the surface.
It did not need to hurry.
The seal was already inside.
Loved it. Cadence and rhythm as always.
"His suit was expensive and did nothing for him."
Hemingwayesque.
Thanks.
Hemingway's a favorite. Stole it from Camus.
Strange style. It feels ChatGPT-ish to me with those short sentences. I passed it through some detectors, some indicate that an AI was used for some parts. That in combination with not using regular story formatting (conversations) for stories is suspect. I could be wrong.
Thanks.
Ai, use it for editing. Fresh eyes. Short sentences, mine.
Conversations, lifting McCarthy. Reading a lot of his work lately. But in all honesty its out of laziness.
Alright, sir.
Then I guess it would help if you put in quotation marks for the dialogue. Now it's unclear whether it's narration or spoken words. Similar with the short words, I'd say. In some cases they work, in others it increases confusion.
I am curious about the concept.
Thanks.
Have a longer story in mind. Need to finish others first.