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When gypsy grifter Matko (Bajram Severdzan) is abruptly swindled by his own partner, he is unable to pay the large debt he suddenly owes. As an alternative form of payment, Matko forces his adolescent son Zare (Florijan Ajdini) into an arranged marriage with his partner's midget sister, Afrodita (Salija Ibraimova). However, both Zare and Afrodita find the marriage objectionable, and their attempts to escape the situation lead to a series of unpredictable comic escapades.
Source : https://www.rottentomatoes.com/m/crna_macka_beli_macor
Director: Emir Kusturica
Widely regarded as one of the most innovative filmmakers of his generation, Emir Kusturica twice won the Cannes Film Festival Palme d'Or before the age of 40, and, film for film, it is difficult to think of a more consistently lauded artist than this Bosnian-born director. Possessing the persona of a rock star (he once played bass in the agit-rock band No Smoking and still makes guest appearances with them), he is the antithesis of the Hollywood director, viewing the world as a naif or a dreamer and only helming projects that move him strongly. Though the commerce of movies remains foreign to Kusturica, the opportunity to make a visual statement still drives his work. No fan of the close-up, he always tries to connect one person with what is going on in the midground and background (much like John Frankenheimer), and he has successfully worked with non-actors in the tradition of Italian neo-realism (e.g., Roberto Rossellini). As a result of his unpopular stand regarding the civil war in the former Yugoslavia, however, he finds himself scorned in his own land, literally a director without a country.
Source: https://www.rottentomatoes.com/celebrity/emir_kusturica