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  1. After brainstorming actions and emotions, go back to the task. The task is to solve a problem.
  • choose one detail from the above as the problem
  • choose one detail as the development
  • choose one detail as the result
Guide the students to work step by step like this, and you will see very interesting outcomes!
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48 sats \ 1 reply \ @dot 27 Sep
Based on the data above, I can come up with a few story lines:
  1. The man answers the phone, and there is a voice on the other end โ˜Ž๏ธ๐Ÿ‘‚. After the call, he becomes very confused and collapses into frustration, holding his head and thinking at the table ๐Ÿคฏ๐Ÿช‘. Suddenly, he takes a piece of paper and writes on it โœ๏ธ๐Ÿ“. After some reflection, he may have found a solution for the phone call problem ๐Ÿ’กโœ….
  2. That day, the man received a task note from his boss ๐Ÿ“. He opened the paper and thought hard, but couldnโ€™t understand what his boss meant ๐Ÿค”. He held his head and pulled his hair, moving from annoyed to frustrated ๐Ÿ˜ฃ๐Ÿ’ข. After thinking for a long time โณ, he decided to call his boss ๐Ÿ“ž to confirm. His boss said the note was sent to him by mistake, it was meant for another department ๐Ÿ™ƒ. After hearing this, he breathed a sigh of relief ๐Ÿ˜Œ.
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I like that you used the word data.
It makes creative writing less formidable. You distilled it down to an analytical approach that everyone can use
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What happens if your students canโ€™t go beyond mere description of their charactersโ€™ feelings? Actually, even if they write that their character is happy/sad/shocked/disappointed, they are already in a different league from their peers. I find that most kids tend to focus on actions. Having said that, my job is to teach them to sprinkle Show Not Tell phrases to enliven their compos
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