pull down to refresh

This is a work of fiction. When I began writing, I did see myself as the goblin I describe. But then as more of this idea got onto the page, something I subconsciously hold back from myself came through in the lines that I won't identify with. If I should give that something a name, I might call it distant benevolence. And if I reflect on my real relationship to that, it's probably true that it is always around me, animating all the small things. The only way it could come through in 'such writing' is if it were made of real stuff. So I believe it is, and isn't that nice?
by 'such writing', I mean unfocused pattern-recognition, not aiming at any point, but flowing out expressively

And there's another thing to address. A reliance on drugs. My personal case is not so dire and exaggerated as my fictional goblin friend would pronounce it, but I think I should take him seriously in this, if it turns out that he is made of real stuff in my brain that I don't like to consciously look at. I stated here once, and therefore I asked you all to come on the journey with me, that I would cease smoking weed. While I still intend to, I haven't yet. Not totally. And so this goblin must be animating my shame about that in this playful verse. Interestingly, his existence was born out of a drug-state, so, well that might be obvious.

Enjoy


I am the goblin

that lives in the cracks.

I am in and out every day

to take my snacks

away.

You don’t see me, but we’re friends.

I like to think of you as brother.

And after all this silence and sneaking,

the covering up of my coming and going,

I decided to speak. I wanted to reach

across the distance from my mouth to your ear,

as it’s likely you won’t hear,

but rather see: this is what I write to thee

—you.

Something new is happening.

At night what comes to me,

terrorizing and distressing,

is the thought of infinity.

And I noticed you’ve been out of drugs lately...

Forgive me, yes, I take the scattered crumbs of your drugs

but you always leave it just so,

I began to think of it as a code between you and I

for ‘Come on little man, get high’…

so I guess I wanted to know your reasons why

the scatters are dry and the flower is gone.

Because it’s a new year? you thought you’d be a new one?

Huh, humans are always doing that,

reinventing, revitalizing, recycling, igniting —hack!

I scoff at that. But I’m a goblin, it’s what we do, I have to.

Yet— it’s true, when I think of you, I think there can be something new.

You the singular person, you the absolute.

If a new calendar date can make you resolute,

than whatever, so be it. I hope you’re changing for the better

because you really have a chance, kid, I mean it.

All right, you got me emotional, now I might drop the whole

thing. Forget I mentioned it.

I guess I wrote to you out of loneliness, really.

It’s silly. I’ll slide back through the cracks now. Crumbs down,

empty-handed to my hovel in the slats of the floor.

Here comes my desperate hour of silent terror in the dark.


I do especially like ending it all on this line. It's rather dramatic, and if I am a student T.S. Eliot, I would say it's sort of like him. Not what you would expect from an impish trickster. My goblin has layers, I think. Maybe I'll write more about him someday.

some territories are moderated

Spirits such as these animate the mundane. Great share!

I was always a little intimidated by T.S. Eliot, as with James Joyce. And until now I haven't done much reading of either, though I am well aware of the genius of both. I have read "Prufrock" and A Portrait of the Artist, but these are not their most important works. I found both engaging as they were a challenge.

What do you recommend by Eliot?

reply

At the beginning of Prufrock, you have the lines

The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent

and this is really what I was drawing my comparison from with

here comes my desperate hour of silent terror in the dark

Is it worthy of such a comparison? Hmm

reply

A volume of poems called Ash Wednesday. But above all Prufrock, above all

reply
99 sats \ 1 reply \ @anon 8h

Hush, little buddy, don't you cry,
Mama's gonna roll you a sweet, sweet high.
And if that session brings you bliss,
Mama’s got snacks you won't want to miss.

reply

Niiiiiice

reply
77 sats \ 1 reply \ @siggy47 8h

I like this guy

reply
72 sats \ 0 replies \ @ek 7h

I think I know this guy

reply
20 sats \ 2 replies \ @ek 7h

Can we get a drawing of your flower goblin?

reply
100 sats \ 1 reply \ @plebpoet OP 7h

It’s on the way, I was gonna have a friend of mine do it

reply
0 sats \ 0 replies \ @ek 6h

whoop whoop!

reply
50 sats \ 0 replies \ @k00b 7h

flower goblin is a great name for a dispensary. merch/branding would be so metal.

reply
30 sats \ 0 replies \ @Scoresby 5h
But then as more of this idea got onto the page, something I subconsciously hold back from myself came through in the lines that I won't identify with.

I think this is something I've felt before, too. Sometimes you get a little idea, something to write and you are pretty sure it is you. But then you get to writing and the idea takes hold, rakes over, even and you sure don't recognize it as something that is you. Or you hope it isn't. It's a little unnerving. But also it's some of where good writing comes from.

Thanks for sharing the poem. I enjoyed it very much.

reply

Now I know where my KitKats keep disappearing to.

reply
scattered crumbs of your drugs

Good line. I suspect different readers will interpret this differently based on their idiosyncratic relationship with drugs.

Do you regard your goblin as your alter ego?

reply

The tension you express around your intention to stop using weed and the reality of still partaking reads as honest and unforced. It carries more weight because you allow yourself to be imperfect in public. That vulnerability is an essential ingredient in writing that resonates. Many self imposed promises falter because they are tied to an arbitrary moment like the start of the year. Your goblin’s skepticism toward this pattern feels like a subtle nudge toward a deeper sort of change, one that is not bound to the calendar but to a shift in mind and spirit.

There is also something refreshing in the way you write without a rigid agenda letting rhythm and loose association guide the piece. It helps the reader feel as if they are inhabiting your thought stream rather than standing at the end of a polished narrative. That proximity makes the intimacy stronger and the character richer.

reply

if you were grading, would you give it an A+? Please oh please?

reply